| Phantom Power | + 48 V | + 48 V | |
| Input HPF | CH 1-8, CH 9/10-11/12, 80Hz, 12dB/oct | CH 1-8, CH 9/10-11/12, 80Hz, 12dB/oct | |
| CH EQ (MONO) ±15 dB (Max.) | High | 10 k Hz: shelving | 10 k Hz: shelving |
| Mid | 2.5 k Hz: peaking | 2.5 k Hz: peaking | |
| Low | 100 Hz: shelving | 100 Hz: shelving | |
| CH EQ (STEREO) ±15 dB (Max.) | High | 10 k Hz: shelving | – |
| Mid | 2.5 k Hz: peaking | 2.5 k Hz: peaking | |
| Low | 100 Hz: shelving | 100 Hz: shelving | |
| Compressor (COMP) | control x 1 (Gain/Threshold/Ratio), CH 1-8 | control x 1 (Gain/Threshold/Ratio), CH 1-6 | |
| LED Level Meter / Pre Monitor Level | 2 x 12 points LED meter (PEAK, +10, +6, +3, 0, -3, -6, -10, -15, -20, -25, -30 dB) PEAK lights if the signal comes within 3 dB of the clipping level. | 2 x 12 points LED meter (PEAK, +10, +6, +3, 0, -3, -6, -10, -15, -20, -25, -30 dB) PEAK lights if the signal comes within 3 dB of the clipping level. | |
| Peak Indicator | Red LED turns on when post EQ (ST CH: or post Mic HA) signal reaches -3dB below clipping (17dBu). | Red LED turns on when post EQ (ST CH: or post Mic HA) signal reaches -3dB below clipping (17dBu). | |
| Power Supply Adapter | PA-30: AC 35VCT, 1.4A, Cable Length = 3.6m | PA-30: AC 35VCT, 1.4A, Cable Length = 3.6m | |
| Power consumption | – | – | |
| Dimensions (W x H x D) | 478 mm x 105 mm x 496 mm | – | |
| Net Weight | 5.5 kg | 5.3 kg | |
| Internal Digital Effect | 16 PROGRAM, PARAMETER control Foot Switch (Digital Effect, on/off) | – | |
| Power Consumption | 35 W | 30 W | |
| Options | Foot Switch (FC-5) | – | |
| Product Dimension (W x H x D) | – | 478 mm x 105 mm x 496 mm |
MG166c
| MG166CX | MG166C | ||
| Specifications | |||
| Total Harmonic Distortion | Less than 0.1 % (THD+N) 20 Hz – 20 kHz @ +14 dBu (ST OUT) | Less than 0.1 % (THD+N) 20 Hz – 20 kHz @ +14 dBu (ST OUT) | |
| Frequency Response | 0, +1, -3 dB 20 Hz – 20 kHz @ +4 dBu (ST OUT) | Response 0, +1, -3 dB 20 Hz – 20 kHz @ +4 dBu (ST OUT) | |
| Hum & Noise | -128 dBu Equivalent Input Noise/ -98 dBu Residual Output Noise 20 Hz – 20 kHz, Rs = 150 Ω, Input Gain = Maximum | -128 dBu Equivalent Input Noise/ -98 dBu Residual Output Noise 20 Hz – 20 kHz, Rs = 150 Ω, Input Gain = Maximum | |
| Input Connectors | MIC: 10, LINE: 8 mono + 4 stereo, CH INSERT: 8, AUX RTN: 1 stereo, 2TR IN: 1 | MIC: 10, LINE: 8 mono + 4 stereo, CH INSERT: 8, AUX RTN: 1 stereo, 2TR IN: 1 | |
| Output Connectors | ST: 2, AUX SEND: 2, EFFECT SEND: 1, CH INSERT: 8, REC: 1 stereo, MONITOR: 1 stereo, GROUP: 4 Phone: 1 | ST: 2, AUX SEND: 3, CH INSERT: 8, REC: 1 stereo, MONITOR: 1 stereo, GROUP: 4 Phone: 1 | |
| Crosstalk | -70 dB @ 1 kHz | -70 dB @ 1 kHz | |
| Weight | 5.5 kg |
|---|
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₦784,000.00 – ₦1,232,000.00
| TF1 | ||
| Outline | ||
| Fader Configuration | 32 + 1 (Master) | |
| Mixing Capacity | Input Channels
|
48 (40 mono + 2 stereo + 2 return) |
| Aux Buses
|
20 (8 mono + 6 stereo) | |
| Stereo Buses
|
1 | |
| Sub Buses | 1 | |
| Input channel functions | 8 DCA Groups | |
| I/O | Inputs
|
16 mic/line (XLR/TRS combo) + 2 stereo line (RCA pin) |
| Outputs
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16 (XLR) | |
| Expansion slots | 1 | |
| On-board processors | DSP | 8 Effects + 10 GEQ |
| USB | 34×34 USB Audio Interface, 2-track recording via USB Storage Device | |
| General specifications | ||
| Sampling frequency rate | Internal | 48 kHz |
| Signal delay | Less than 2.6 ms, INPUT to OMNI OUT, Fs=48 kHz | |
| Fader | 100 mm motorized, Resolution = 10-bit, +10 dB to –138 dB, –∞ dB all faders | |
| Total harmonic distortion | Less than 0.05% 20 Hz–20 kHz @+4 dBu into 600 , INPUT to OMNI OUT, Input Gain=Min. (Measured with a –18 dB/octave filter@80 kHz) | |
| Frequency response | +0.5, –1.5 dB 20 Hz–20 kHz, refer to +4 dBu output @1kHz, INPUT to OMNI OUT | |
| Dynamic range | 110 dB typ., DA Converter, 107 dB typ., INPUT to OMNI OUT, Input Gain=Min. | |
| Hum & noise level | Equivalent input noise
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–128 dBu typ., Input Gain=Max. (Measured with an A-Weight filter) |
| Residual output noise | –85 dBu, ST master off (Measured with an A-Weight filter) | |
| Crosstalk | –100 dB (Measured with a –30 dB/octave filter@22 kHz), adjacent INPUT/OMNI OUT channels, Input Gain=Min. | |
| Power requirements | 100–240 V 50/60 Hz | |
| Power consumption | 120 W | |
| Dimensions | W | 510 mm (20.1in) |
| H | 225 mm (8.9in) | |
| D | 599 mm (23.6in) | |
| Net weight | 20.0 kg (44.1lb) | |
| Accessories | Quick Guide, Power Cord, CUBASE AI download information | |
| Options | Expansion Card, Foot Switch (FC5) | |
| Others | Operating temperature range: 0–40 °C, Storage temperature range: -20–60 °C |
| CL5 | CL3 | CL1 | QL5 | QL1 | ||
| Mixing Capacity | Input Mixing Channels | 72 mono + 8 stereo | 64 mono + 8 stereo | 48 mono + 8 stereo | 64 mono + 8 stereo | 32 mono + 8 stereo |
| Mix Buses | 24 | 16 | ||||
| Matrices | 8 (Input to Matrix supported) | 8 (Input to Matrix supported) | ||||
| Stereo Bus | 1 | 1 | ||||
| Mono | 1 | 1 | ||||
| Cue | 1 (Second Cue Bus supported in CL V4.0 or later) | 1 (Second Cue Bus supported in QL V4.0 or later) | ||||
| Local Connectors | Analog Inputs | 8 | 32 | 16 | ||
| Analog Outputs | 8 | 16 | 8 | |||
| MY Slots | 3 | 2 | ||||
| Dante I/O | Primary / Secondary | Primary / Secondary | ||||
| Digital Out | 1 (AES/EBU) | 1 (AES/EBU) | ||||
| GPI | 5 in / 5 out (CL V1.11 or later) | 5 in / 5 out | ||||
| Word Clock I/O | Yes | Yes | ||||
| MIDI I/O | In / Out | In / Out | ||||
| External Redundant PSU | Optional PW800W | No | ||||
| Meter Bridge | Output meter built-in | Optional MBCL | No | |||
| Ethernet | Yes | Yes | ||||
| AC Inlet | V-Lock Type | V-Lock Type | ||||
| Scene Memory | Number of Scenes | 300 | 300 | |||
| Recall Safe | Yes | Yes | ||||
| Focus Recall | Yes | Yes | ||||
| Fade Time | Yes (0s ~ 60s) | Yes (0s ~ 60s) | ||||
| Preview | Yes (CL V1.51 or later) | Yes | ||||
| Selective Load / Save | Yes (CL V1.7 or later) | Yes | ||||
| Tactile Control Keys | Yes | No (on-screen) | ||||
| Input Channel Functions | Gain Compensation | Yes | Yes | |||
| Digital Gain | Yes (-96dB ~ +24dB) | Yes (-96dB ~ +24dB) | ||||
| ATT | -96dB ~ 0dB | -96dB ~ 0dB |
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| 01V962 | ||
| Outline | ||
| Mixing capability | Mixing channels | 32 Mono + 4 Stereo |
| GROUP | 8 | |
| AUX | 8 | |
| MAIN | Stereo | |
| Input channel functions | Gate, Attenuator, 4-band PEQ, 2x Compressor, Delay, Pan | |
| Output channel functions | Attenuator, 4-band PEQ, Compressor, Delay | |
| On-board processors | 4x SPX multi effectors | |
| I/O | Mic inputs | 12 |
| Phantom power | +48V DC; ON/OFF per 4ch | |
| Line inputs | 2x Stereo, 2x 2tr in | |
| AD converter | 24-bit; 128-time over sampling | |
| Line outputs | Stereo output, Monitor output, 4x Omni output | |
| DA converter | 24-bit; 128-time over sampling | |
| Digital I/O | ADAT (8-in/8-out), 2tr in/out | |
| Expansion slots | Mini-YGDAI (16-in/16-out) | |
₦967,395.00 – ₦1,302,262.00
| DSR112 | ||
| General specifications | ||
| Speaker type | 12″ 2-way, Bi-amp Powered Speaker, Bass-reflex Type | |
| Frequency range
(-10dB) |
55Hz ~ 20kHz | |
| Frequency response
(-3dB) |
60Hz ~ 18kHz | |
| Nominal coverage | H | 90° |
| V | 60° | |
| Components | LF | 12″ cone |
|
HF |
2″ Titanium diaphragm compression driver | |
| Crossover | FIR-X tuning (linear phase FIR filter) 1.7kHz | |
| Output power | 1500W (LF: 1020W, HF: 480W) | |
| Maximum output level (1m; on axis) | 134dB SPL | |
| I/O connectors | INPUT: XLR-3-31 x1 (Balanced), TRS Phone Jack x1 (Balanced) OUTPUT:XLR-3-32 x1 (Balanced), Parallel connection with INPUT | |
| Processors | D-CONTOUR (Dynamic CONTOUR) | |
| Power consumption | 100W | |
| Dimensions | W | 442mm (17 4/8″) |
| H | 755mm (29 6/8″) | |
| D | 423mm (16 4/8″) | |
| Net weight | 21.2kg (47lbs) | |
| Flying and mounting hardware | 3 x M10 (TOP L/R 1pc each, Bottom rear 1pc) | |
| Pole socket | 35mm (Bottom Board) | |
| CL5 | CL3 | CL1 | QL5 | QL1 | ||
| Mixing Capacity | Input Mixing Channels | 72 mono + 8 stereo | 64 mono + 8 stereo | 48 mono + 8 stereo | 64 mono + 8 stereo | 32 mono + 8 stereo |
| Mix Buses | 24 | 16 | ||||
| Matrices | 8 (Input to Matrix supported) | 8 (Input to Matrix supported) | ||||
| Stereo Bus | 1 | 1 | ||||
| Mono | 1 | 1 | ||||
| Cue | 1 (Second Cue Bus supported in CL V4.0 or later) | 1 (Second Cue Bus supported in QL V4.0 or later) | ||||
| Local Connectors | Analog Inputs | 8 | 32 | 16 | ||
| Analog Outputs | 8 | 16 | 8 | |||
| MY Slots | 3 | 2 | ||||
| Dante I/O | Primary / Secondary | Primary / Secondary | ||||
| Digital Out | 1 (AES/EBU) | 1 (AES/EBU) | ||||
| GPI | 5 in / 5 out (CL V1.11 or later) | 5 in / 5 out | ||||
| Word Clock I/O | Yes | Yes | ||||
| MIDI I/O | In / Out | In / Out | ||||
| External Redundant PSU | Optional PW800W | No | ||||
| Meter Bridge | Output meter built-in | Optional MBCL | No | |||
| Ethernet | Yes | Yes | ||||
| AC Inlet | V-Lock Type | V-Lock Type |
| TF5 | TF3 | TF1 | ||
| Outline | ||||
| Fader Configuration | 32 + 1 (Master) | 24 + 1 (Master) | 16 + 1 (Master) | |
| Mixing Capacity | Input Channels | 48 (40 mono + 2 stereo + 2 return) | 48 (40 mono + 2 stereo + 2 return) | 40 (32 mono + 2 stereo + 2 return) |
| Aux Buses | 20 (8 mono + 6 stereo) | 20 (8 mono + 6 stereo) | 20 (8 mono + 6 stereo) | |
| Stereo Buses | 1 | 1 | 1 | |
| Sub Buses | 1 | 1 | 1 | |
| Input channel functions | 8 DCA Groups | 8 DCA Groups | 8 DCA Groups | |
| I/O | Inputs | 32 mic/line (XLR/TRS combo) + 2 stereo line (RCA pin) | 24 mic/line (XLR/TRS combo) + 2 stereo line (RCA pin) | 16 mic/line (XLR/TRS combo) + 2 stereo line (RCA pin) |
| Outputs | 16 (XLR) | 16 (XLR) | 16 (XLR) | |
| Expansion slots | 1 | 1 | 1 | |
| On-board processors | DSP | 8 Effects + 10 GEQ | 8 Effects + 10 GEQ | 8 Effects + 10 GEQ |
| USB | 34×34 USB Audio Interface, 2-track recording via USB Storage Device | 34×34 USB Audio Interface, 2-track recording via USB Storage Device | 34×34 USB Audio Interface, 2-track recording via USB Storage Device | |
| General specifications | ||||
| Sampling frequency rate | Internal | 48 kHz | 48 kHz | 48 kHz |
| Signal delay | Less than 2.6 ms, INPUT to OMNI OUT, Fs=48 kHz | Less than 2.6 ms, INPUT to OMNI OUT, Fs=48 kHz | Less than 2.6 ms, INPUT to OMNI OUT, Fs=48 kHz | |
| Fader | 100 mm motorized, Resolution = 10-bit, +10 dB to –138 dB, –∞ dB all faders | 100 mm motorized, Resolution = 10-bit, +10 dB to –138 dB, –∞ dB all faders | 100 mm motorized, Resolution = 10-bit, +10 dB to –138 dB, –∞ dB all faders | |
| Total harmonic distortion | Less than 0.05% 20 Hz–20 kHz @+4 dBu into 600 , INPUT to OMNI OUT, Input Gain=Min. (Measured with a –18 dB/octave filter@80 kHz) | Less than 0.05% 20 Hz–20 kHz @+4 dBu into 600 , INPUT to OMNI OUT, Input Gain=Min. (Measured with a –18 dB/octave filter@80 kHz) | Less than 0.05% 20 Hz–20 kHz @+4 dBu into 600 , INPUT to OMNI OUT, Input Gain=Min. (Measured with a –18 dB/octave filter@80 kHz) |
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| HS8 | ||
| General specifications | ||
| Speaker type | 2-way bi-amp powered studio monitor | |
| Frequency range (-10bB) | 38Hz – 30Hz | |
| Component | LF | 8” cone |
| HF | 1” dome | |
| Crossover | 2kHz | |
| Output power | 120W (LF:75W, HF:45W) | |
| I/O connectors | XLR3-31 type (balanced),
PHONE (balanced) |
|
| Power consumption | 60W | |
| Shape | Base-reflex type | |
| Cabinet material | MDF | |
| Dimensions | W | 250mm (9.8”) |
| H | 390mm (15.4”) | |
| D | 334mm (13.1”) | |
| Net weight | 10.2kg (22.5 lbs.) | |
| Others | LEVEL control (+4Db/center click),
EQ: HIGH TRIM switch (+/- 2Db at HF) / ROOM CONTROL Switch (o/-2/-4 Db UNDER 500Hz) |
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| DSR115 | ||
| General specifications | ||
| Speaker type | 15″ 2-way, Bi-amp powered Speaker, Bass-reflex Type | |
| Frequency range
(-10dB) |
45Hz ~ 20kHz | |
| Frequency response
(-3dB) |
55Hz ~ 18kHz | |
| Nominal coverage | H | 90° |
| V | 60° | |
| Components | LF | 15″ cone |
|
HF |
2″ Titanium diaphragm compression driver | |
| Crossover | FIR-X tuning (linear phase FIR filter) | |
| Output power | 1500W (LF: 1020W, HF: 480W) | |
| Maximum output level (1m; on axis) | 136dB SPL | |
| I/O connectors | INPUT: XLR-3-31 x1 (Balanced), TRS Phone Jack x1 (Balanced) OUTPUT:XLR-3-32 x1 (Balanced), Parallel connection with INPUT | |
| Processors | D-CONTOUR (Dynamic CONTOUR) | |
| Power consumption | 100W | |
| Dimensions | W | 467mm (18 3/8″) |
| H | 1158mm (45 5/8″) | |
| D | 520mm (20 4/8″) | |
| Net weight | 28.0kg (62lbs) | |
| Flying and mounting hardware | 3 x M10 (TOP L/R 1pc each, Bottom rear 1pc) | |
| Pole socket | 35mm (Bottom Board) | |
| RIVAGE PM10 (excluding I/O RACK) |
|||
| Mixing Capacity | Input Mixing Channels | 144mono | |
| Mix Buses | 72 | ||
| Matrices | 36 (Input to Matrix supported) | ||
| Stereo Buses | 2 | ||
| Mono Buses | 1 | ||
| Cue Bus | 2 | ||
| Local Connectors | Analog Input | XLR | 8 |
| Analog Output | XLR | 8 | |
| Expansion Slots | HY Slots | 4 (DSP-R10) | |
| MY Slots | CS-R10: 2 DSP-R10: 2 |
||
| Digital In | AES/EBU | 4 | |
| Digital Out | AES/EBU | 4 | |
| GPI | IN (D-Sub) | 8 (CS-R10) / 8 (DSP-R10) | |
| Out (D-Sub) | 8 (CS-R10) / 8 (DSP-R10) | ||
| Word Clock I/O | Only Out (CS-R10) In / Out (DSP-R10) |
||
| MIDI I/O | In / Out (CS-R10) In / Out (DSP-R10) |
||
| USB | File | 4 | |
| 2 Track Rec/Play | 1 | ||
| External Redundant PSU | Built-in dual power supply | ||
| Meter Bridge | On screen | ||
| Ethernet | Yes | ||
| Lamp | 4 (CS-R10) / 3 (CS-R10-S) | ||
| Talkback In | Yes | ||
| Video Out | Yes | ||
| TC In | Yes (DSP-R10) | ||
| Fault Output | Yes (DSP-R10) | ||
| Phones | 2 | ||
| AC Inlet | CS-R10: 2 (V-Lock Type) DSP-R10: 2 (V-Lock Type) |
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