MG 124
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TF5 | TF3 | TF1 | ||
Outline | ||||
Fader Configuration | 32 + 1 (Master) | 24 + 1 (Master) | 16 + 1 (Master) | |
Mixing Capacity | Input Channels | 48 (40 mono + 2 stereo + 2 return) | 48 (40 mono + 2 stereo + 2 return) | 40 (32 mono + 2 stereo + 2 return) |
Aux Buses | 20 (8 mono + 6 stereo) | 20 (8 mono + 6 stereo) | 20 (8 mono + 6 stereo) | |
Stereo Buses | 1 | 1 | 1 | |
Sub Buses | 1 | 1 | 1 | |
Input channel functions | 8 DCA Groups | 8 DCA Groups | 8 DCA Groups | |
I/O | Inputs | 32 mic/line (XLR/TRS combo) + 2 stereo line (RCA pin) | 24 mic/line (XLR/TRS combo) + 2 stereo line (RCA pin) | 16 mic/line (XLR/TRS combo) + 2 stereo line (RCA pin) |
Outputs | 16 (XLR) | 16 (XLR) | 16 (XLR) | |
Expansion slots | 1 | 1 | 1 | |
On-board processors | DSP | 8 Effects + 10 GEQ | 8 Effects + 10 GEQ | 8 Effects + 10 GEQ |
USB | 34×34 USB Audio Interface, 2-track recording via USB Storage Device | 34×34 USB Audio Interface, 2-track recording via USB Storage Device | 34×34 USB Audio Interface, 2-track recording via USB Storage Device | |
General specifications | ||||
Sampling frequency rate | Internal | 48 kHz | 48 kHz | 48 kHz |
Signal delay | Less than 2.6 ms, INPUT to OMNI OUT, Fs=48 kHz | Less than 2.6 ms, INPUT to OMNI OUT, Fs=48 kHz | Less than 2.6 ms, INPUT to OMNI OUT, Fs=48 kHz | |
Fader | 100 mm motorized, Resolution = 10-bit, +10 dB to –138 dB, –∞ dB all faders | 100 mm motorized, Resolution = 10-bit, +10 dB to –138 dB, –∞ dB all faders | 100 mm motorized, Resolution = 10-bit, +10 dB to –138 dB, –∞ dB all faders | |
Total harmonic distortion | Less than 0.05% 20 Hz–20 kHz @+4 dBu into 600 , INPUT to OMNI OUT, Input Gain=Min. (Measured with a –18 dB/octave filter@80 kHz) | Less than 0.05% 20 Hz–20 kHz @+4 dBu into 600 , INPUT to OMNI OUT, Input Gain=Min. (Measured with a –18 dB/octave filter@80 kHz) | Less than 0.05% 20 Hz–20 kHz @+4 dBu into 600 , INPUT to OMNI OUT, Input Gain=Min. (Measured with a –18 dB/octave filter@80 kHz) |
HS8 | HS5 | ||
General specifications | |||
Speaker type | 2-way bi-amp powered studio monitor | 2-way bi-amp powered studio monitor | |
Frequency range (-10dB) | 38Hz – 30kHz | 54Hz – 30kHz | |
Components | LF | 8″ cone | 5″ cone |
HF | 1″ dome | 1″ dome | |
Crossover | 2kHz | 2kHz | |
Output power | 120W (LF:75W, HF:45W) | 70W (LF:45W, HF:25W) | |
I/O connectors | XLR3-31 type (balanced), PHONE (balanced) | XLR3-31 type (balanced), PHONE (balanced) | |
Power consumption | 60W | 45W | |
Shape | Bass-reflex type | Bass-reflex type | |
Cabinet material | MDF | MDF | |
Dimensions | W | 250mm (9.8″) | 170mm (6.7″) |
H | 390mm (15.4″) | 285mm (11.2″) | |
D | 334mm (13.1″) | 222mm (8.7″) | |
Net weight | 10.2kg (22.5 lbs.) | 5.3kg (11.7 lbs.) | |
Others | LEVEL control (+4dB/center click) , EQ: HIGH TRIM switch (+/- 2dB at HF) / ROOM CONTROL switch (0/-2/-4 dB under 500Hz) | LEVEL control (+4dB/center click) , EQ: HIGH TRIM switch (+/- 2dB at HF) / ROOM CONTROL switch (0/-2/-4 dB under 500Hz) |
₦967,395.00 – ₦1,302,262.00
DSR112 | ||
General specifications | ||
Speaker type | 12″ 2-way, Bi-amp Powered Speaker, Bass-reflex Type | |
Frequency range
(-10dB) |
55Hz ~ 20kHz | |
Frequency response
(-3dB) |
60Hz ~ 18kHz | |
Nominal coverage | H | 90° |
V | 60° | |
Components | LF | 12″ cone |
HF |
2″ Titanium diaphragm compression driver | |
Crossover | FIR-X tuning (linear phase FIR filter) 1.7kHz | |
Output power | 1500W (LF: 1020W, HF: 480W) | |
Maximum output level (1m; on axis) | 134dB SPL | |
I/O connectors | INPUT: XLR-3-31 x1 (Balanced), TRS Phone Jack x1 (Balanced) OUTPUT:XLR-3-32 x1 (Balanced), Parallel connection with INPUT | |
Processors | D-CONTOUR (Dynamic CONTOUR) | |
Power consumption | 100W | |
Dimensions | W | 442mm (17 4/8″) |
H | 755mm (29 6/8″) | |
D | 423mm (16 4/8″) | |
Net weight | 21.2kg (47lbs) | |
Flying and mounting hardware | 3 x M10 (TOP L/R 1pc each, Bottom rear 1pc) | |
Pole socket | 35mm (Bottom Board) |
₦967,395.00 – ₦1,302,262.00
DSR215 | ||
General specifications | ||
Speaker type | Dual 15″ 2-way, Bi-amp powered Speaker, Bass-reflex Type | |
Frequency range
(-10dB) |
45Hz ~ 20kHz | |
Frequency response
(-3dB) |
55Hz ~ 18kHz | |
Nominal coverage | H | 90° |
V | 60° | |
Components | LF | 2 x 15″ cone |
HF |
2″ Titanium diaphragm compression driver | |
Crossover | FIR-X tuning (linear phase FIR filter) | |
Output power | 1500W (LF: 1020W, HF: 480W) | |
Maximum output level (1m; on axis) | 138dB SPL | |
I/O connectors | INPUT: XLR-3-31 x1 (Balanced), TRS Phone Jack x1 (Balanced) OUTPUT:XLR-3-32 x1 (Balanced), Parallel connection with INPUT | |
Processors | D-CONTOUR (Dynamic CONTOUR) | |
Power consumption | 100W | |
Dimensions | W | 520mm (20 4/8″) |
H | 638mm (25 2/8″) | |
D | 584mm (23″) | |
Net weight | 49.8kg (110lbs) | |
Flying and mounting hardware | – | |
Pole socket | – |
QL5 | QL1 | ||
Mixing Capacity | Input Mixing Channels | 64 mono + 8 stereo | 32 mono + 8 stereo |
Mix Buses | 16 | ||
Matrices | 8 (Input to Matrix supported) | ||
Stereo Bus | 1 | ||
Mono | 1 | ||
Cue | 1 (Second Cue Bus supported in QL V4.0 or later) | ||
Local Connectors | Analog Inputs | 32 | 16 |
Analog Outputs | 16 | 8 | |
MY Slots | 2 | ||
Dante I/O | Primary / Secondary | ||
Digital Out | 1 (AES/EBU) | ||
GPI | 5 in / 5 out | ||
Word Clock I/O | Yes | ||
MIDI I/O | In / Out | ||
External Redundant PSU | No | ||
Meter Bridge | Optional MBCL | No | |
Ethernet | Yes | ||
AC Inlet | V-Lock Type |
₦180,400.00 – ₦225,500.00
HS8 | ||
General specifications | ||
Speaker type | 2-way bi-amp powered studio monitor | |
Frequency range (-10bB) | 38Hz – 30Hz | |
Component | LF | 8” cone |
HF | 1” dome | |
Crossover | 2kHz | |
Output power | 120W (LF:75W, HF:45W) | |
I/O connectors | XLR3-31 type (balanced),
PHONE (balanced) |
|
Power consumption | 60W | |
Shape | Base-reflex type | |
Cabinet material | MDF | |
Dimensions | W | 250mm (9.8”) |
H | 390mm (15.4”) | |
D | 334mm (13.1”) | |
Net weight | 10.2kg (22.5 lbs.) | |
Others | LEVEL control (+4Db/center click),
EQ: HIGH TRIM switch (+/- 2Db at HF) / ROOM CONTROL Switch (o/-2/-4 Db UNDER 500Hz) |
RIVAGE PM10 (excluding I/O RACK) |
|||
Mixing Capacity | Input Mixing Channels | 144mono | |
Mix Buses | 72 | ||
Matrices | 36 (Input to Matrix supported) | ||
Stereo Buses | 2 | ||
Mono Buses | 1 | ||
Cue Bus | 2 | ||
Local Connectors | Analog Input | XLR | 8 |
Analog Output | XLR | 8 | |
Expansion Slots | HY Slots | 4 (DSP-R10) | |
MY Slots | CS-R10: 2 DSP-R10: 2 |
||
Digital In | AES/EBU | 4 | |
Digital Out | AES/EBU | 4 | |
GPI | IN (D-Sub) | 8 (CS-R10) / 8 (DSP-R10) | |
Out (D-Sub) | 8 (CS-R10) / 8 (DSP-R10) | ||
Word Clock I/O | Only Out (CS-R10) In / Out (DSP-R10) |
||
MIDI I/O | In / Out (CS-R10) In / Out (DSP-R10) |
||
USB | File | 4 | |
2 Track Rec/Play | 1 | ||
External Redundant PSU | Built-in dual power supply | ||
Meter Bridge | On screen | ||
Ethernet | Yes | ||
Lamp | 4 (CS-R10) / 3 (CS-R10-S) | ||
Talkback In | Yes | ||
Video Out | Yes | ||
TC In | Yes (DSP-R10) | ||
Fault Output | Yes (DSP-R10) | ||
Phones | 2 | ||
AC Inlet | CS-R10: 2 (V-Lock Type) DSP-R10: 2 (V-Lock Type) |
CBR15 | CBR12 | CBR10 | ||
General specifications | General specifications | General specifications | ||
Speaker type | 2-way Speaker, Bass-reflex Type | 2-way Speaker, Bass-reflex Type | 2-way Speaker, Bass-reflex Type | |
Frequency range (-10dB) | 46 Hz – 20 kHz | 48 Hz – 20 kHz | 50 Hz – 20 kHz | |
Nominal coverage | H | 90° | 90° | 90° |
V | 60° | 60° | 60° | |
Components | LF | 15″ Cone, 2.5″ Voice Coil (Ferrite Magnet) | 12″ Cone, 2″ Voice Coil (Ferrite Magnet) | 10″ Cone, 2″ Voice Coil (Ferrite Magnet) |
HF | 1.4″ Voice Coil, Compression Driver (Ferrite Magnet) | 1.4″ Voice Coil, Compression Driver (Ferrite Magnet) | 1″ Voice Coil, Compression Driver (Ferrite Magnet) | |
Crossover | 2.0 kHz | 2.1 kHz | 2.8 kHz | |
Power rating | NOISE | 250W | 175W | 175W |
PGM | 500W | 350W | 350W | |
PEAK | 1000W | 700W | 700W | |
Nominal impedance | 8Ω | 8Ω | 8Ω | |
SPL | Sensitivity (1W; 1m on axis) | 96dB SPL | 96dB SPL | 94dB SPL |
Peak (Calculated) | 126 dB SPL | 125 dB SPL | 123 dB SPL | |
I/O connectors | 1/4″ Phone x 1, speakON NL4MP x 1 | 1/4″ Phone x 1, speakON NL4MP x 1 | 1/4″ Phone x 1, speakON NL4MP x 1 | |
Cabinet material | Plastic | Plastic | Plastic | |
Finish | Black | Black | Black | |
Handle | Side x 2 | Side x 2 | Top x 1 | |
Flying and mounting hardware | Bottom x 2, Rear x 1 (Fit for M8 x 15mm Eyebolts) | Bottom x 2, Rear x 1 (Fit for M8 x 15mm Eyebolts) | Bottom x 2, Rear x 1 (Fit for M8 x 15mm Eyebolts) | |
Pole socket | Φ35 mm Bottom x 1 | Φ35 mm Bottom x 1 | Φ35 mm Bottom x 1 | |
Dimensions | W | 455mm (17.9″) | 376mm (14.8″) | 308mm (12.1″) |
H | 700mm (27.6″) | 601mm (23.7″) | 493mm (19.4″) | |
D | 378mm (14.9″) | 348mm (13.7″) | 289mm (11.4″) | |
Net weight | 17.7 kg (39.0 lbs) | 13.9 kg (30.6 lbs) | 9.4 kg (20.7 lbs) |
C215V | ||
Size/Weight | ||
Dimensions | Width | 491mm |
Height | 1163mm | |
Depth | 593mm | |
Weight | Weight | 47.5kg |
Specifications | ||
Enclosure | Bass Reflex Type | |
Speaker unit (LF) | 15″ cone x 2 | |
Speaker unit (HF) | 2″ V.C.driver | |
Frequency Response | 42Hz-16kHz | |
Power Capacity (Noise) | 500W | |
Power Capacity (Program) | 1000W | |
Power Capacity (Maximum) | 2000W | |
Nominal Impedance | 4 ohms | |
Sensitivity | 99db SPL (1W, 1m) | |
Nominal Dispersion (Horizontal) | 90° | |
Nominal Dispersion (Vertical) | 40° |
₦1,075,200.00
01V962 | ||
Outline | ||
Mixing capability | Mixing channels | 32 Mono + 4 Stereo |
GROUP | 8 | |
AUX | 8 | |
MAIN | Stereo | |
Input channel functions | Gate, Attenuator, 4-band PEQ, 2x Compressor, Delay, Pan | |
Output channel functions | Attenuator, 4-band PEQ, Compressor, Delay | |
On-board processors | 4x SPX multi effectors | |
I/O | Mic inputs | 12 |
Phantom power | +48V DC; ON/OFF per 4ch | |
Line inputs | 2x Stereo, 2x 2tr in | |
AD converter | 24-bit; 128-time over sampling | |
Line outputs | Stereo output, Monitor output, 4x Omni output | |
DA converter | 24-bit; 128-time over sampling | |
Digital I/O | ADAT (8-in/8-out), 2tr in/out | |
Expansion slots | Mini-YGDAI (16-in/16-out) | |
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