| Phantom Power | + 48 V | + 48 V | |
| Input HPF | CH 1-8, CH 9/10-11/12, 80Hz, 12dB/oct | CH 1-8, CH 9/10-11/12, 80Hz, 12dB/oct | |
| CH EQ (MONO) ±15 dB (Max.) | High | 10 k Hz: shelving | 10 k Hz: shelving |
| Mid | 2.5 k Hz: peaking | 2.5 k Hz: peaking | |
| Low | 100 Hz: shelving | 100 Hz: shelving | |
| CH EQ (STEREO) ±15 dB (Max.) | High | 10 k Hz: shelving | – |
| Mid | 2.5 k Hz: peaking | 2.5 k Hz: peaking | |
| Low | 100 Hz: shelving | 100 Hz: shelving | |
| Compressor (COMP) | control x 1 (Gain/Threshold/Ratio), CH 1-8 | control x 1 (Gain/Threshold/Ratio), CH 1-6 | |
| LED Level Meter / Pre Monitor Level | 2 x 12 points LED meter (PEAK, +10, +6, +3, 0, -3, -6, -10, -15, -20, -25, -30 dB) PEAK lights if the signal comes within 3 dB of the clipping level. | 2 x 12 points LED meter (PEAK, +10, +6, +3, 0, -3, -6, -10, -15, -20, -25, -30 dB) PEAK lights if the signal comes within 3 dB of the clipping level. | |
| Peak Indicator | Red LED turns on when post EQ (ST CH: or post Mic HA) signal reaches -3dB below clipping (17dBu). | Red LED turns on when post EQ (ST CH: or post Mic HA) signal reaches -3dB below clipping (17dBu). | |
| USB Audio / USB IN/OUT | Sampling Frequency = 44.1kHz or 48kHz (depend on the application of PC) | Sampling Frequency = 44.1kHz or 48kHz (depend on the application of PC) | |
| Power Supply Adapter | PA-30: AC 35VCT, 1.4A, Cable Length = 3.6m | PA-30: AC 35VCT, 1.4A, Cable Length = 3.6m | |
| Power consumption | – | – | |
| Dimensions (W x H x D) | 478 mm x 105 mm x 496 mm | – | |
| Net Weight | 5.5 kg | 5.3 kg | |
| Internal Digital Effect | 16 PROGRAM, PARAMETER control Foot Switch (Digital Effect, on/off) | – | |
| Power Consumption | 35 W | 30 W | |
| Options | Foot Switch (FC-5) | – | |
| Product Dimension (W x H x D) | – | 478 mm x 105 mm x 496 mm |
MG 112
₦260,000.00
| MG166CX-USB | MG166C-USB | ||
| Specifications | |||
| Total Harmonic Distortion | Less than 0.1 % (THD+N) 20 Hz – 20 kHz @ +14 dBu (ST OUT) | Less than 0.1 % (THD+N) 20 Hz – 20 kHz @ +14 dBu (ST OUT) | |
| Frequency Response | 0, +1, -3 dB 20 Hz – 20 kHz @ +4 dBu (ST OUT) | Response 0, +1, -3 dB 20 Hz – 20 kHz @ +4 dBu (ST OUT) | |
| Hum & Noise | -128 dBu Equivalent Input Noise/ -98 dBu Residual Output Noise 20 Hz – 20 kHz, Rs = 150 Ω, Input Gain = Maximum | -128 dBu Equivalent Input Noise/ -98 dBu Residual Output Noise 20 Hz – 20 kHz, Rs = 150 Ω, Input Gain = Maximum | |
| Input Connectors | MIC: 10, LINE: 8 mono + 4 stereo, CH INSERT: 8, AUX RTN: 1 stereo, 2TR IN: 1 | MIC: 10, LINE: 8 mono + 4 stereo, CH INSERT: 8, AUX RTN: 1 stereo, 2TR IN: 1 | |
| Output Connectors | ST: 2, AUX SEND: 2, EFFECT SEND: 1, CH INSERT: 8, REC: 1 stereo, MONITOR: 1 stereo, GROUP: 4 Phone: 1 | ST: 2, AUX SEND: 3, CH INSERT: 8, REC: 1 stereo, MONITOR: 1 stereo, GROUP: 4 Phone: 1 | |
| Crosstalk | -70 dB @ 1 kHz | -70 dB @ 1 kHz | |
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| General specifications | ||
| Speaker type | 15″ 2-way, Bi-amp powered Speaker, Bass-reflex Type | |
| Frequency range
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45Hz ~ 20kHz | |
| Frequency response
(-3dB) |
55Hz ~ 18kHz | |
| Nominal coverage | H | 90° |
| V | 60° | |
| Components | LF | 15″ cone |
|
HF |
2″ Titanium diaphragm compression driver | |
| Crossover | FIR-X tuning (linear phase FIR filter) | |
| Output power | 1500W (LF: 1020W, HF: 480W) | |
| Maximum output level (1m; on axis) | 136dB SPL | |
| I/O connectors | INPUT: XLR-3-31 x1 (Balanced), TRS Phone Jack x1 (Balanced) OUTPUT:XLR-3-32 x1 (Balanced), Parallel connection with INPUT | |
| Processors | D-CONTOUR (Dynamic CONTOUR) | |
| Power consumption | 100W | |
| Dimensions | W | 467mm (18 3/8″) |
| H | 1158mm (45 5/8″) | |
| D | 520mm (20 4/8″) | |
| Net weight | 28.0kg (62lbs) | |
| Flying and mounting hardware | 3 x M10 (TOP L/R 1pc each, Bottom rear 1pc) | |
| Pole socket | 35mm (Bottom Board) | |
| CL5 | CL3 | CL1 | QL5 | QL1 | ||
| Mixing Capacity | Input Mixing Channels | 72 mono + 8 stereo | 64 mono + 8 stereo | 48 mono + 8 stereo | 64 mono + 8 stereo | 32 mono + 8 stereo |
| Mix Buses | 24 | 16 | ||||
| Matrices | 8 (Input to Matrix supported) | 8 (Input to Matrix supported) | ||||
| Stereo Bus | 1 | 1 | ||||
| Mono | 1 | 1 | ||||
| Cue | 1 (Second Cue Bus supported in CL V4.0 or later) | 1 (Second Cue Bus supported in QL V4.0 or later) | ||||
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| Analog Outputs | 8 | 16 | 8 | |||
| MY Slots | 3 | 2 | ||||
| Dante I/O | Primary / Secondary | Primary / Secondary | ||||
| Digital Out | 1 (AES/EBU) | 1 (AES/EBU) | ||||
| GPI | 5 in / 5 out (CL V1.11 or later) | 5 in / 5 out | ||||
| Word Clock I/O | Yes | Yes | ||||
| MIDI I/O | In / Out | In / Out | ||||
| External Redundant PSU | Optional PW800W | No | ||||
| Meter Bridge | Output meter built-in | Optional MBCL | No | |||
| Ethernet | Yes | Yes | ||||
| AC Inlet | V-Lock Type | V-Lock Type |
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| H | 90° | 90° | 90° | ||||||
| V | 60° | 60° | 60° | ||||||
| LF | 2 x 15″ cone | 15″ cone | 12″ cone | 18″ cone | |||||
| HF | 2″ Titanium diaphragm compression driver | 2″ Titanium diaphragm compression driver | 2″ Titanium diaphragm compression driver | ||||||
| FIR-X tuning (linear phase FIR filter) | FIR-X tuning (linear phase FIR filter) | FIR-X tuning (linear phase FIR filter) 1.7kHz | – | ||||||
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| 138dB SPL | 136dB SPL | 134dB SPL | 132dB SPL | ||||||
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| Speaker type | 12″ 2-way, Bi-amp Powered Speaker, Bass-reflex Type | |
| Frequency range
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55Hz ~ 20kHz | |
| Frequency response
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60Hz ~ 18kHz | |
| Nominal coverage | H | 90° |
| V | 60° | |
| Components | LF | 12″ cone |
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HF |
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| Crossover | FIR-X tuning (linear phase FIR filter) 1.7kHz | |
| Output power | 1500W (LF: 1020W, HF: 480W) | |
| Maximum output level (1m; on axis) | 134dB SPL | |
| I/O connectors | INPUT: XLR-3-31 x1 (Balanced), TRS Phone Jack x1 (Balanced) OUTPUT:XLR-3-32 x1 (Balanced), Parallel connection with INPUT | |
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| Power consumption | 100W | |
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| H | 755mm (29 6/8″) | |
| D | 423mm (16 4/8″) | |
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| Flying and mounting hardware | 3 x M10 (TOP L/R 1pc each, Bottom rear 1pc) | |
| Pole socket | 35mm (Bottom Board) | |
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| Fader Configuration | 32 + 1 (Master) | |
| Mixing Capacity | Input Channels
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48 (40 mono + 2 stereo + 2 return) |
| Aux Buses
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20 (8 mono + 6 stereo) | |
| Stereo Buses
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1 | |
| Sub Buses | 1 | |
| Input channel functions | 8 DCA Groups | |
| I/O | Inputs
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16 mic/line (XLR/TRS combo) + 2 stereo line (RCA pin) |
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16 (XLR) | |
| Expansion slots | 1 | |
| On-board processors | DSP | 8 Effects + 10 GEQ |
| USB | 34×34 USB Audio Interface, 2-track recording via USB Storage Device | |
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| Sampling frequency rate | Internal | 48 kHz |
| Signal delay | Less than 2.6 ms, INPUT to OMNI OUT, Fs=48 kHz | |
| Fader | 100 mm motorized, Resolution = 10-bit, +10 dB to –138 dB, –∞ dB all faders | |
| Total harmonic distortion | Less than 0.05% 20 Hz–20 kHz @+4 dBu into 600 , INPUT to OMNI OUT, Input Gain=Min. (Measured with a –18 dB/octave filter@80 kHz) | |
| Frequency response | +0.5, –1.5 dB 20 Hz–20 kHz, refer to +4 dBu output @1kHz, INPUT to OMNI OUT | |
| Dynamic range | 110 dB typ., DA Converter, 107 dB typ., INPUT to OMNI OUT, Input Gain=Min. | |
| Hum & noise level | Equivalent input noise
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–128 dBu typ., Input Gain=Max. (Measured with an A-Weight filter) |
| Residual output noise | –85 dBu, ST master off (Measured with an A-Weight filter) | |
| Crosstalk | –100 dB (Measured with a –30 dB/octave filter@22 kHz), adjacent INPUT/OMNI OUT channels, Input Gain=Min. | |
| Power requirements | 100–240 V 50/60 Hz | |
| Power consumption | 120 W | |
| Dimensions | W | 510 mm (20.1in) |
| H | 225 mm (8.9in) | |
| D | 599 mm (23.6in) | |
| Net weight | 20.0 kg (44.1lb) | |
| Accessories | Quick Guide, Power Cord, CUBASE AI download information | |
| Options | Expansion Card, Foot Switch (FC5) | |
| Others | Operating temperature range: 0–40 °C, Storage temperature range: -20–60 °C |
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| Mixing capability | Mixing channels | 32 Mono + 4 Stereo |
| GROUP | 8 | |
| AUX | 8 | |
| MAIN | Stereo | |
| Input channel functions | Gate, Attenuator, 4-band PEQ, 2x Compressor, Delay, Pan | |
| Output channel functions | Attenuator, 4-band PEQ, Compressor, Delay | |
| On-board processors | 4x SPX multi effectors | |
| I/O | Mic inputs | 12 |
| Phantom power | +48V DC; ON/OFF per 4ch | |
| Line inputs | 2x Stereo, 2x 2tr in | |
| AD converter | 24-bit; 128-time over sampling | |
| Line outputs | Stereo output, Monitor output, 4x Omni output | |
| DA converter | 24-bit; 128-time over sampling | |
| Digital I/O | ADAT (8-in/8-out), 2tr in/out | |
| Expansion slots | Mini-YGDAI (16-in/16-out) | |
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| Size/Weight | ||
| Dimensions | Width | 491mm |
| Height | 1163mm | |
| Depth | 593mm | |
| Weight | Weight | 47.5kg |
| Specifications | ||
| Enclosure | Bass Reflex Type | |
| Speaker unit (LF) | 15″ cone x 2 | |
| Speaker unit (HF) | 2″ V.C.driver | |
| Frequency Response | 42Hz-16kHz | |
| Power Capacity (Noise) | 500W | |
| Power Capacity (Program) | 1000W | |
| Power Capacity (Maximum) | 2000W | |
| Nominal Impedance | 4 ohms | |
| Sensitivity | 99db SPL (1W, 1m) | |
| Nominal Dispersion (Horizontal) | 90° | |
| Nominal Dispersion (Vertical) | 40° | |
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| General Specifications | |
| Audio channels | 16IN / 16OUT |
| Sample rates | 44.1kHz, 48kHz, 88.2kHz and 96kHz |
| Sample rate pull-up/down | +4.1667, +0.1, -0.1, and – 4.0 % |
| Sample bit-depth | 16, 24 or 32-bit PCM |
| Network | 2 x Gigabit (1000Mbps) Ethernet RJ45 connectors |
| Redundancy | Glitch-free Dante audio redundancy using dual Ethernet networks (redundant mode) |
| Daisy chaining | Daisy chain multiple Dante-MY16-AUD2 cards together (switched mode) |
| HA Remote | Support for HA Remote capable Yamaha products |
| Expandable | Install up to four Dante-MY16-AUD2 cards in available MY16-compatible slots for up to 64×64 audio channels |
| Compatible Yamaha equipments | |
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| Interfaces | RSio64-D |
| Processors | MRX7-D, MTX5-D, DME24N, DME64N |
| Power Amps | TX4n, TX5n, TX6n |
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