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Tail sed sausage magna quis commodo swine. Aliquip strip steak esse ex in ham hock fugiat in. Labore velit pork belly eiusmod ut shank doner capicola consectetur landjaeger fugiat excepteur short loin. Pork belly laboris mollit in leberkas qui. Pariatur swine aliqua pork chop venison veniam. Venison sed cow short loin bresaola shoulder cupidatat capicola drumstick dolore magna shankle.
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₦425,600.00 – ₦492,800.00
| MGP32X | MGP24X | MGP16X | MGP12X | |||||
| Outline | ||||||||
| Mixing capability | Mixing channels | 32 Line Inputs (24 mono and 4 stereo) | 24 Line Inputs (16 mono and 4 stereo) | 16 Line Inputs (8 mono and 4 stereo) | 12 Line Inputs (4 mono and 4 stereo) | |||
| GROUP | 4 GROUP Buses + ST Bus | 4 GROUP Buses + ST Bus | 4 GROUP Buses + ST Bus | 4 GROUP Buses + ST Bus | ||||
| AUX | 6 AUX Sends + 2 FX Sends | 6 AUX Sends + 2 FX Sends | 2 AUX Sends + 2 FX Sends | 2 AUX Sends + 2 FX Sends | ||||
| MATRIX | 1 Matrix out | 1 Matrix out | – | – | ||||
| On-board processors | FX1:REV-X(8 PROGRAM, PARAMETER control)/ FX2:SPX(16 PROGRAM, PARAMETER control) | FX1:REV-X(8 PROGRAM, PARAMETER control)/ FX2:SPX(16 PROGRAM, PARAMETER control) | FX1:REV-X(8 PROGRAM, PARAMETER control), FX2:SPX (16 PROGRAM, PARAMETER control) | FX1:REV-X(8 PROGRAM, PARAMETER control), FX2:SPX (16 PROGRAM, PARAMETER control) | ||||
| Input channel functions | – | – | Compressor CH1-8,HPF(100Hz 12dB/oct), CH EQ(MONO) ±15dB(Max.):High 8kHz shelving/ Mid 250Hz-5kHz peaking(CH1-8,13-16)/ Low 125Hz shelving, CH EQ(STEREO) ±15dB(Max.):High 8kHz shelving/ Mid 2.5kHz peaking(CH9-12)/ Low 125Hz shelving | Compressor CH1-4,HPF(100Hz 12dB/oct), CH EQ(MONO) ±15dB(Max.):High 8kHz shelving/ Mid 250Hz-5kHz peaking(CH1-4,9-12)/ Low 125Hz shelving, CH EQ(STEREO) ±15dB(Max.):High 8kHz shelving/ Mid 2.5kHz peaking(CH5-8)/ Low 125Hz shelving | ||||
₦180,400.00 – ₦225,500.00
| HS8 | ||
| General specifications | ||
| Speaker type | 2-way bi-amp powered studio monitor | |
| Frequency range (-10bB) | 38Hz – 30Hz | |
| Component | LF | 8” cone |
| HF | 1” dome | |
| Crossover | 2kHz | |
| Output power | 120W (LF:75W, HF:45W) | |
| I/O connectors | XLR3-31 type (balanced),
PHONE (balanced) |
|
| Power consumption | 60W | |
| Shape | Base-reflex type | |
| Cabinet material | MDF | |
| Dimensions | W | 250mm (9.8”) |
| H | 390mm (15.4”) | |
| D | 334mm (13.1”) | |
| Net weight | 10.2kg (22.5 lbs.) | |
| Others | LEVEL control (+4Db/center click),
EQ: HIGH TRIM switch (+/- 2Db at HF) / ROOM CONTROL Switch (o/-2/-4 Db UNDER 500Hz) |
₦967,395.00 – ₦1,302,262.00
| DSR215 | ||
| General specifications | ||
| Speaker type | Dual 15″ 2-way, Bi-amp powered Speaker, Bass-reflex Type | |
| Frequency range
(-10dB) |
45Hz ~ 20kHz | |
| Frequency response
(-3dB) |
55Hz ~ 18kHz | |
| Nominal coverage | H | 90° |
| V | 60° | |
| Components | LF | 2 x 15″ cone |
|
HF |
2″ Titanium diaphragm compression driver | |
| Crossover | FIR-X tuning (linear phase FIR filter) | |
| Output power | 1500W (LF: 1020W, HF: 480W) | |
| Maximum output level (1m; on axis) | 138dB SPL | |
| I/O connectors | INPUT: XLR-3-31 x1 (Balanced), TRS Phone Jack x1 (Balanced) OUTPUT:XLR-3-32 x1 (Balanced), Parallel connection with INPUT | |
| Processors | D-CONTOUR (Dynamic CONTOUR) | |
| Power consumption | 100W | |
| Dimensions | W | 520mm (20 4/8″) |
| H | 638mm (25 2/8″) | |
| D | 584mm (23″) | |
| Net weight | 49.8kg (110lbs) | |
| Flying and mounting hardware | – | |
| Pole socket | – | |
₦784,000.00 – ₦1,232,000.00
| TF5 | ||
| Outline | ||
| Fader Configuration | 32 + 1 (Master) | 24 + 1 (Master) |
| Mixing Capacity | Input Channels
|
48 (40 mono + 2 stereo + 2 return) |
| Aux Buses
|
20 (8 mono + 6 stereo) | |
| Stereo Buses
|
1 | |
| Sub Buses | 1 | |
| Input channel functions | 8 DCA Groups | 8 DCA Groups |
| I/O | Inputs
|
32 mic/line (XLR/TRS combo) + 2 stereo line (RCA pin) |
| Outputs
|
16 (XLR) | |
| Expansion slots | 1 | |
| On-board processors | DSP | 8 Effects + 10 GEQ |
| USB | 34×34 USB Audio Interface, 2-track recording via USB Storage Device | 34×34 USB Audio Interface, 2-track recording via USB Storage Device |
| General specifications | ||
| Sampling frequency rate | Internal | 48 kHz |
| Signal delay | Less than 2.6 ms, INPUT to OMNI OUT, Fs=48 kHz | Less than 2.6 ms, INPUT to OMNI OUT, Fs=48 kHz |
| Fader | 100 mm motorized, Resolution = 10-bit, +10 dB to –138 dB, –∞ dB all faders | 100 mm motorized, Resolution = 10-bit, +10 dB to –138 dB, –∞ dB all faders |
| Total harmonic distortion | Less than 0.05% 20 Hz–20 kHz @+4 dBu into 600 , INPUT to OMNI OUT, Input Gain=Min. (Measured with a –18 dB/octave filter@80 kHz) | Less than 0.05% 20 Hz–20 kHz @+4 dBu into 600 , INPUT to OMNI OUT, Input Gain=Min. (Measured with a –18 dB/octave filter@80 kHz) |
| Frequency response | +0.5, –1.5 dB 20 Hz–20 kHz, refer to +4 dBu output @1kHz, INPUT to OMNI OUT | +0.5, –1.5 dB 20 Hz–20 kHz, refer to +4 dBu output @1kHz, INPUT to OMNI OUT |
| Dynamic range | 110 dB typ., DA Converter, 107 dB typ., INPUT to OMNI OUT, Input Gain=Min. | 110 dB typ., DA Converter, 107 dB typ., INPUT to OMNI OUT, Input Gain=Min. |
| Hum & noise level | Equivalent input noise
|
–128 dBu typ., Input Gain=Max. (Measured with an A-Weight filter) |
| Residual output noise | –85 dBu, ST master off (Measured with an A-Weight filter) | |
| Crosstalk | –100 dB (Measured with a –30 dB/octave filter@22 kHz), adjacent INPUT/OMNI OUT channels, Input Gain=Min. | –100 dB (Measured with a –30 dB/octave filter@22 kHz), adjacent INPUT/OMNI OUT channels, Input Gain=Min. |
| Power requirements | 100–240 V 50/60 Hz | 100–240 V 50/60 Hz |
| Power consumption | 120 W | 110 W |
| Dimensions | W | 866 mm (34.1in) |
| H | 225 mm (8.9in) | |
| D | 599 mm (23.6in) | |
| Net weight | 20.0 kg (44.1lb) | 17.0 kg (37.5lb) |
| Accessories | Quick Guide, Power Cord, CUBASE AI download information | Quick Guide, Power Cord, CUBASE AI download information |
| Options | Expansion Card, Foot Switch (FC5) | Expansion Card, Foot Switch (FC5) |
| Others | Operating temperature range: 0–40 °C, Storage temperature range: -20–60 °C | Operating temperature range: 0–40 °C, Storage temperature range: -20–60 °C |
| CL5 | CL3 | CL1 | QL5 | QL1 | ||
| Mixing Capacity | Input Mixing Channels | 72 mono + 8 stereo | 64 mono + 8 stereo | 48 mono + 8 stereo | 64 mono + 8 stereo | 32 mono + 8 stereo |
| Mix Buses | 24 | 16 | ||||
| Matrices | 8 (Input to Matrix supported) | 8 (Input to Matrix supported) | ||||
| Stereo Bus | 1 | 1 | ||||
| Mono | 1 | 1 | ||||
| Cue | 1 (Second Cue Bus supported in CL V4.0 or later) | 1 (Second Cue Bus supported in QL V4.0 or later) | ||||
| Local Connectors | Analog Inputs | 8 | 32 | 16 | ||
| Analog Outputs | 8 | 16 | 8 | |||
| MY Slots | 3 | 2 | ||||
| Dante I/O | Primary / Secondary | Primary / Secondary | ||||
| Digital Out | 1 (AES/EBU) | 1 (AES/EBU) | ||||
| GPI | 5 in / 5 out (CL V1.11 or later) | 5 in / 5 out | ||||
| Word Clock I/O | Yes | Yes | ||||
| MIDI I/O | In / Out | In / Out | ||||
| External Redundant PSU | Optional PW800W | No | ||||
| Meter Bridge | Output meter built-in | Optional MBCL | No | |||
| Ethernet | Yes | Yes | ||||
| AC Inlet | V-Lock Type | V-Lock Type | ||||
| Scene Memory | Number of Scenes | 300 | 300 | |||
| Recall Safe | Yes | Yes | ||||
| Focus Recall | Yes | Yes | ||||
| Fade Time | Yes (0s ~ 60s) | Yes (0s ~ 60s) | ||||
| Preview | Yes (CL V1.51 or later) | Yes | ||||
| Selective Load / Save | Yes (CL V1.7 or later) | Yes | ||||
| Tactile Control Keys | Yes | No (on-screen) | ||||
| Input Channel Functions | Gain Compensation | Yes | Yes | |||
| Digital Gain | Yes (-96dB ~ +24dB) | Yes (-96dB ~ +24dB) | ||||
| ATT | -96dB ~ 0dB | -96dB ~ 0dB | ||||
| HPF | 20Hz ~ 600Hz, -6 or -12dB/oct Selectable (CL V1.51 or later) | 20Hz ~ 600Hz, -6 or -12dB/oct Selectable |
| CBR15 | CBR12 | CBR10 | ||
| General specifications | General specifications | General specifications | ||
| Speaker type | 2-way Speaker, Bass-reflex Type | 2-way Speaker, Bass-reflex Type | 2-way Speaker, Bass-reflex Type | |
| Frequency range (-10dB) | 46 Hz – 20 kHz | 48 Hz – 20 kHz | 50 Hz – 20 kHz | |
| Nominal coverage | H | 90° | 90° | 90° |
| V | 60° | 60° | 60° | |
| Components | LF | 15″ Cone, 2.5″ Voice Coil (Ferrite Magnet) | 12″ Cone, 2″ Voice Coil (Ferrite Magnet) | 10″ Cone, 2″ Voice Coil (Ferrite Magnet) |
| HF | 1.4″ Voice Coil, Compression Driver (Ferrite Magnet) | 1.4″ Voice Coil, Compression Driver (Ferrite Magnet) | 1″ Voice Coil, Compression Driver (Ferrite Magnet) | |
| Crossover | 2.0 kHz | 2.1 kHz | 2.8 kHz | |
| Power rating | NOISE | 250W | 175W | 175W |
| PGM | 500W | 350W | 350W | |
| PEAK | 1000W | 700W | 700W | |
| Nominal impedance | 8Ω | 8Ω | 8Ω | |
| SPL | Sensitivity (1W; 1m on axis) | 96dB SPL | 96dB SPL | 94dB SPL |
| Peak (Calculated) | 126 dB SPL | 125 dB SPL | 123 dB SPL | |
| I/O connectors | 1/4″ Phone x 1, speakON NL4MP x 1 | 1/4″ Phone x 1, speakON NL4MP x 1 | 1/4″ Phone x 1, speakON NL4MP x 1 | |
| Cabinet material | Plastic | Plastic | Plastic | |
| Finish | Black | Black | Black | |
| Handle | Side x 2 | Side x 2 | Top x 1 | |
| Flying and mounting hardware | Bottom x 2, Rear x 1 (Fit for M8 x 15mm Eyebolts) | Bottom x 2, Rear x 1 (Fit for M8 x 15mm Eyebolts) | Bottom x 2, Rear x 1 (Fit for M8 x 15mm Eyebolts) | |
| Pole socket | Φ35 mm Bottom x 1 | Φ35 mm Bottom x 1 | Φ35 mm Bottom x 1 | |
| Dimensions | W | 455mm (17.9″) | 376mm (14.8″) | 308mm (12.1″) |
| H | 700mm (27.6″) | 601mm (23.7″) | 493mm (19.4″) | |
| D | 378mm (14.9″) | 348mm (13.7″) | 289mm (11.4″) | |
| Net weight | 17.7 kg (39.0 lbs) | 13.9 kg (30.6 lbs) | 9.4 kg (20.7 lbs) |
| TF5 | TF3 | TF1 | ||
| Outline | ||||
| Fader Configuration | 32 + 1 (Master) | 24 + 1 (Master) | 16 + 1 (Master) | |
| Mixing Capacity | Input Channels | 48 (40 mono + 2 stereo + 2 return) | 48 (40 mono + 2 stereo + 2 return) | 40 (32 mono + 2 stereo + 2 return) |
| Aux Buses | 20 (8 mono + 6 stereo) | 20 (8 mono + 6 stereo) | 20 (8 mono + 6 stereo) | |
| Stereo Buses | 1 | 1 | 1 | |
| Sub Buses | 1 | 1 | 1 | |
| Input channel functions | 8 DCA Groups | 8 DCA Groups | 8 DCA Groups | |
| I/O | Inputs | 32 mic/line (XLR/TRS combo) + 2 stereo line (RCA pin) | 24 mic/line (XLR/TRS combo) + 2 stereo line (RCA pin) | 16 mic/line (XLR/TRS combo) + 2 stereo line (RCA pin) |
| Outputs | 16 (XLR) | 16 (XLR) | 16 (XLR) | |
| Expansion slots | 1 | 1 | 1 | |
| On-board processors | DSP | 8 Effects + 10 GEQ | 8 Effects + 10 GEQ | 8 Effects + 10 GEQ |
| USB | 34×34 USB Audio Interface, 2-track recording via USB Storage Device | 34×34 USB Audio Interface, 2-track recording via USB Storage Device | 34×34 USB Audio Interface, 2-track recording via USB Storage Device | |
| General specifications | ||||
| Sampling frequency rate | Internal | 48 kHz | 48 kHz | 48 kHz |
| Signal delay | Less than 2.6 ms, INPUT to OMNI OUT, Fs=48 kHz | Less than 2.6 ms, INPUT to OMNI OUT, Fs=48 kHz | Less than 2.6 ms, INPUT to OMNI OUT, Fs=48 kHz | |
| Fader | 100 mm motorized, Resolution = 10-bit, +10 dB to –138 dB, –∞ dB all faders | 100 mm motorized, Resolution = 10-bit, +10 dB to –138 dB, –∞ dB all faders | 100 mm motorized, Resolution = 10-bit, +10 dB to –138 dB, –∞ dB all faders | |
| Total harmonic distortion | Less than 0.05% 20 Hz–20 kHz @+4 dBu into 600 , INPUT to OMNI OUT, Input Gain=Min. (Measured with a –18 dB/octave filter@80 kHz) | Less than 0.05% 20 Hz–20 kHz @+4 dBu into 600 , INPUT to OMNI OUT, Input Gain=Min. (Measured with a –18 dB/octave filter@80 kHz) | Less than 0.05% 20 Hz–20 kHz @+4 dBu into 600 , INPUT to OMNI OUT, Input Gain=Min. (Measured with a –18 dB/octave filter@80 kHz) |
| RIVAGE PM10 (excluding I/O RACK) |
|||
| Mixing Capacity | Input Mixing Channels | 144mono | |
| Mix Buses | 72 | ||
| Matrices | 36 (Input to Matrix supported) | ||
| Stereo Buses | 2 | ||
| Mono Buses | 1 | ||
| Cue Bus | 2 | ||
| Local Connectors | Analog Input | XLR | 8 |
| Analog Output | XLR | 8 | |
| Expansion Slots | HY Slots | 4 (DSP-R10) | |
| MY Slots | CS-R10: 2 DSP-R10: 2 |
||
| Digital In | AES/EBU | 4 | |
| Digital Out | AES/EBU | 4 | |
| GPI | IN (D-Sub) | 8 (CS-R10) / 8 (DSP-R10) | |
| Out (D-Sub) | 8 (CS-R10) / 8 (DSP-R10) | ||
| Word Clock I/O | Only Out (CS-R10) In / Out (DSP-R10) |
||
| MIDI I/O | In / Out (CS-R10) In / Out (DSP-R10) |
||
| USB | File | 4 | |
| 2 Track Rec/Play | 1 | ||
| External Redundant PSU | Built-in dual power supply | ||
| Meter Bridge | On screen | ||
| Ethernet | Yes | ||
| Lamp | 4 (CS-R10) / 3 (CS-R10-S) | ||
| Talkback In | Yes | ||
| Video Out | Yes | ||
| TC In | Yes (DSP-R10) | ||
| Fault Output | Yes (DSP-R10) | ||
| Phones | 2 | ||
| AC Inlet | CS-R10: 2 (V-Lock Type) DSP-R10: 2 (V-Lock Type) |
| DSR215 | DSR115 | DSR112 | DSR118W | ||||||
| General specifications | |||||||||
| Speaker type | Dual 15″ 2-way, Bi-amp powered Speaker, Bass-reflex Type | 15″ 2-way, Bi-amp powered Speaker, Bass-reflex Type | 12″ 2-way, Bi-amp Powered Speaker, Bass-reflex Type | 18″ Powered Subwoofer, Bass-reflex Type | |||||
| Frequency range (-10dB) | 45Hz ~ 20kHz | 45Hz ~ 20kHz | 55Hz ~ 20kHz | 40Hz ~ 130Hz | |||||
| Frequency response (-3dB) | 55Hz ~ 18kHz | 55Hz ~ 18kHz | 60Hz ~ 18kHz | 50Hz ~ 110Hz | |||||
| H | 90° | 90° | 90° | ||||||
| V | 60° | 60° | 60° | ||||||
| LF | 2 x 15″ cone | 15″ cone | 12″ cone | 18″ cone | |||||
| HF | 2″ Titanium diaphragm compression driver | 2″ Titanium diaphragm compression driver | 2″ Titanium diaphragm compression driver | ||||||
| FIR-X tuning (linear phase FIR filter) | FIR-X tuning (linear phase FIR filter) | FIR-X tuning (linear phase FIR filter) 1.7kHz | – | ||||||
| 1500W (LF: 1020W, HF: 480W) | 1500W (LF: 1020W, HF: 480W) | 1500W (LF: 1020W, HF: 480W) | 1020W | ||||||
| 138dB SPL | 136dB SPL | 134dB SPL | 132dB SPL | ||||||
| INPUT: XLR-3-31 x1 (Balanced), TRS Phone Jack x1 (Balanced) OUTPUT:XLR-3-32 x1 (Balanced), Parallel connection with INPUT | INPUT:XLR-3-31 x1 (Balanced) TRS Phone Jack x1 (Balanced), OUTPUT:XLR-3-32 x1 (Balanced), Parallel connection with INPUT | INPUT: XLR-3-31 x1 (Balanced), TRS Phone Jack x1 (Balanced) OUTPUT:XLR-3-32 x1 (Balanced), Parallel connection with INPUT | INPUT: XLR-3-31 x2 (Balanced) OUTPUT: XLR-3-32 x2 (Balanced) Parallel connection with INPUT | ||||||
| CL5 | CL3 | CL1 | QL5 | QL1 | ||
| Mixing Capacity | Input Mixing Channels | 72 mono + 8 stereo | 64 mono + 8 stereo | 48 mono + 8 stereo | 64 mono + 8 stereo | 32 mono + 8 stereo |
| Mix Buses | 24 | 16 | ||||
| Matrices | 8 (Input to Matrix supported) | 8 (Input to Matrix supported) | ||||
| Stereo Bus | 1 | 1 | ||||
| Mono | 1 | 1 | ||||
| Cue | 1 (Second Cue Bus supported in CL V4.0 or later) | 1 (Second Cue Bus supported in QL V4.0 or later) | ||||
| Local Connectors | Analog Inputs | 8 | 32 | 16 | ||
| Analog Outputs | 8 | 16 | 8 | |||
| MY Slots | 3 | 2 | ||||
| Dante I/O | Primary / Secondary | Primary / Secondary | ||||
| Digital Out | 1 (AES/EBU) | 1 (AES/EBU) | ||||
| GPI | 5 in / 5 out (CL V1.11 or later) | 5 in / 5 out | ||||
| Word Clock I/O | Yes | Yes | ||||
| MIDI I/O | In / Out | In / Out | ||||
| External Redundant PSU | Optional PW800W | No | ||||
| Meter Bridge | Output meter built-in | Optional MBCL | No | |||
| Ethernet | Yes | Yes | ||||
| AC Inlet | V-Lock Type | V-Lock Type |
Reviews